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Case files... We're gonna hafta be lookin' at these records with fresh eyes, alright? Like we're totally green. Marty and Rust use every last resource to chase down Marty's hunch about the green-eared spaghetti monster. Green eyes, green ears, green paint, and then the Yellow King in Carcosa. [more inside]
posted by carsonb on Nov 4, 2014 - 7 comments

Rust convinces Marty that he has a debt, and the two begin to work together on the investigation again after a decade. Aside from one brief jaunt back to recount Rust's interview of Johnny Joanie, the story mostly moves forward in the present time as they follow up on the missing persons reports (not) filed about Marie Fontenot. [more inside]
posted by carsonb on Oct 28, 2014 - 6 comments

All the threads through 1995 and into 2002 begin to weave together as we watch the fate of both Marty's marriage and Rust's investigation. Cohle visits the families of missing children and follows up with old leads Joel Theriot and Reverend Tuttle, and realizes that his fears about the scope of the problem might have been an underestimation. Hart makes good on his down payment at the Bunny Ranch, and beats the crap outta pretty much ever'one. And in an oddly empty scene (that is, one with neither Rust or Marty in it) Papania and Gilbough bring in Maggie for some friendly questioning: In a former life I used to exhaust myself navigating crude men who thought they were clever. [more inside]
posted by carsonb on Oct 21, 2014 - 3 comments

Time is a flat circle. The story and its telling deviate explicitly, as Rust and Marty wrap up their respective interviews with Gilbough and Papania by relating the culminating, heroic events of their 1995 investigation and summarizing the subsequent several years. [more inside]
posted by carsonb on Oct 14, 2014 - 3 comments

The Detectives jump on the Reggie Ledoux lead, retracing some steps but altogether making progress in a new direction, earning leeway with their commanding officer in the process. But Rust's history and Marty's present personal situation make timely and not-so-timely intrusions (respectively), and the seeming inexorability of their plan to find Ledoux weighs heavy on them both. [more inside]
posted by carsonb on Oct 7, 2014 - 9 comments

Rust and Marty put off handing the case over to the fly-in boys for as long as possible, following scant leads to remote locations and coming away with a description of the monster at the end of their story as well as a name. A tall man, with facial scars. "Reggie Ledoux." The world needs bad men. We keep the other bad men from the door. - Rust | You just look them in the eyes and the whole story's right there. - Cohle [more inside]
posted by carsonb on Oct 1, 2014 - 5 comments

The interview continues, Rust and Marty illustrate just how boring and frustrating chasing gossamer leads can be, and we continue to examine their slow drive investigation of Dorie Lang's murder and interpersonal relationships. — Days of nothing. That's what it's like to work cases. Days of... lost dogs. — It goes on like that.... you know the job. Lookin' for narrative. Interrogate witnesses. Partial evidence. Establish a timeline. Build a story. Day after day. [more inside]
posted by carsonb on Sep 22, 2014 - 16 comments

Meet LA State Police Criminal Investigation Division Detectives Martin Eric 'Marty' Hart (Woody Harrelson) and Rustin Spencer 'Rust' Cohle (Matthew McConaughey), both retired from the force, as they each sit down with State CID detectives in 2012 to go over an old homicide case of theirs from 1995 that has mysteriously resurfaced. As Nic Pizzolatto's story seeps slowly out of director Cary Joji Fukunaga's vision of their recollections, dank and withered and burned out hollow, the tale of occult, ritual, (iconic, planned) murder emerges from the jungle of coastal Louisiana like so much aluminum-tinged smoke and ash. People out here, it's like they don’t even know the outside world exists. [more inside]
posted by carsonb on Sep 15, 2014 - 10 comments