A Game of Thrones, Part II
March 18, 2016 8:44 AM - by George R. R. Martin - Subscribe
From a master of contemporary fantasy comes the first novel of a landmark series unlike any you’ve ever read before. Part II of our read of the first novel of A Song of Ice and Fire.
For the threads are dark and full of spoilers
This read-through is Spoilers All; material from all books and the show are fair game in the discussion. First-time readers who have seen the show will likely not be spoiled, except on events that have not happened (yet) or may not happen on the show.
Discussion should primarily focus on the chapters and events that occurred in this section of the read-through, but information/clues/foreshadowing of future events that are found in this section may (and likely will) be highlighted for their importance.
In this section:
Jon III: Jon gets his privilege checked.
Eddard IV: Ned makes a new friend. Or not.
Tyrion III: A giant at the end of the world.
Arya II: Some lies are not without honor.
Daenerys III: A dragon stirs.
Bran IV: Old Nan dishes some dirt.
Eddard V: Webs and intrigues and lies.
Jon IV: Sam the Slayer arrives.
Eddard VI: Gendry before the boat.
Catelyn V: An unexpected pleasure.
Sansa II: A night with the not-knight.
Eddard VII: No songs for spiders.
Tyrion IV: The road to the Vale.
Arya III: Whispers in the dark.
Eddard VIII: Quarrels with the King.
Catelyn VI: Problems at the Eyrie.
Eddard IX: The Wolf and the Lion.
Daenerys IV: Vaes Dothrak.
For the threads are dark and full of spoilers
This read-through is Spoilers All; material from all books and the show are fair game in the discussion. First-time readers who have seen the show will likely not be spoiled, except on events that have not happened (yet) or may not happen on the show.
Discussion should primarily focus on the chapters and events that occurred in this section of the read-through, but information/clues/foreshadowing of future events that are found in this section may (and likely will) be highlighted for their importance.
In this section:
Jon III: Jon gets his privilege checked.
Eddard IV: Ned makes a new friend. Or not.
Tyrion III: A giant at the end of the world.
Arya II: Some lies are not without honor.
Daenerys III: A dragon stirs.
Bran IV: Old Nan dishes some dirt.
Eddard V: Webs and intrigues and lies.
Jon IV: Sam the Slayer arrives.
Eddard VI: Gendry before the boat.
Catelyn V: An unexpected pleasure.
Sansa II: A night with the not-knight.
Eddard VII: No songs for spiders.
Tyrion IV: The road to the Vale.
Arya III: Whispers in the dark.
Eddard VIII: Quarrels with the King.
Catelyn VI: Problems at the Eyrie.
Eddard IX: The Wolf and the Lion.
Daenerys IV: Vaes Dothrak.
Somewhere between the first few chapters and where I am now (Dany III) the language stopped reading as shapeless, and I started noticing some of the ways the writing changes depending on who is at center stage. It's most notable in the Sansa or Arya sections - the authorial voice reflects the character's internal state.
posted by mwhybark at 2:37 AM on March 19, 2016
posted by mwhybark at 2:37 AM on March 19, 2016
Yeah, the writing smooths out here and you start to feel like the characters actually are characters, not just vehicles for the plot and exposition.
OK, so digging in here in a bit more detail, two sections that really stood out for me in terms of the larger plot pieces:
-Bran IV raises all kinds of interesting things in a re-read. Old Nan - who is she? Where did she come from? Just how long has Old Nan been there anyways? And Nan gives us some insight into the tricksey nature of history in Westeros. Lots of different Brandons in the family line, and Nan gets them confused, along with the legends of Bran the Builder and if the same one raised the Wall and Winterfell. So what is fact and what is fiction about the history of Westeros and the Great Houses? Difficult to tell here. Plus, she tells of the Others, and is really one of the only information sources in the entire series about them.
Some bits from that I found interesting - "the last hero" goes out to find the children of the forest in the hopes that they can "win back what the armies of men had lost." That's an interesting way to phrase it; not that the Others had won the battles and were conquering the First Men, but that the armies of men had lost the land...which is maybe a very veiled statement about the First Men driving away the Children and perhaps some things getting lost/forgotten along the way. Or maybe I need more tinfoil. He also travels with a sword, a horse, a dog, and a dozen companions, all of which die and his sword breaks. I'm trying to match some similar symbolism from elsewhere in the series, but I'm blank. And hey there - "pale white spiders big as hounds" - that sounds cool. Hoping we see these on page and screen sometime.
Also, it was very neat in this chapter to see Robb so uncertain and so young; I remember him most from the later books, where he is very much acting the man and we so rarely see the scared boy inside.
-I also think Arya III is fascinating now, given the plotlines that unfold in ADWD. The conversation between Varys (in disguise) and Illyrio takes on some new shapes. "This is no longer a game for two players, if it ever was". I'm still assuming Varys is refering to himself and Illyrio, but it feels like it could mean more.
Also, I really enjoyed the juxtaposition of the ending of Eddard V - "Distrusting me was the wisest thing you've done" and Jon IV, which follows with "What sort of man would proclaim himself a coward?". Littlefinger is not trustworthy, and makes himself seem trustworthy by constantly proclaiming what a snake he is. And Sam has the bravery to admit a hard truth about being a coward, which makes him what?
And the names, the names, the names...they fall like rain in this section, too many to keep track of, and yet so many will go on to find places in the story - Anguy the archer; Marillion; Ser Hosteen Frey; Loras Tyrell; Bronn; Beric Dondarrion; Thoros of Myr...
posted by nubs at 11:27 AM on March 23, 2016
OK, so digging in here in a bit more detail, two sections that really stood out for me in terms of the larger plot pieces:
-Bran IV raises all kinds of interesting things in a re-read. Old Nan - who is she? Where did she come from? Just how long has Old Nan been there anyways? And Nan gives us some insight into the tricksey nature of history in Westeros. Lots of different Brandons in the family line, and Nan gets them confused, along with the legends of Bran the Builder and if the same one raised the Wall and Winterfell. So what is fact and what is fiction about the history of Westeros and the Great Houses? Difficult to tell here. Plus, she tells of the Others, and is really one of the only information sources in the entire series about them.
Some bits from that I found interesting - "the last hero" goes out to find the children of the forest in the hopes that they can "win back what the armies of men had lost." That's an interesting way to phrase it; not that the Others had won the battles and were conquering the First Men, but that the armies of men had lost the land...which is maybe a very veiled statement about the First Men driving away the Children and perhaps some things getting lost/forgotten along the way. Or maybe I need more tinfoil. He also travels with a sword, a horse, a dog, and a dozen companions, all of which die and his sword breaks. I'm trying to match some similar symbolism from elsewhere in the series, but I'm blank. And hey there - "pale white spiders big as hounds" - that sounds cool. Hoping we see these on page and screen sometime.
Also, it was very neat in this chapter to see Robb so uncertain and so young; I remember him most from the later books, where he is very much acting the man and we so rarely see the scared boy inside.
-I also think Arya III is fascinating now, given the plotlines that unfold in ADWD. The conversation between Varys (in disguise) and Illyrio takes on some new shapes. "This is no longer a game for two players, if it ever was". I'm still assuming Varys is refering to himself and Illyrio, but it feels like it could mean more.
Also, I really enjoyed the juxtaposition of the ending of Eddard V - "Distrusting me was the wisest thing you've done" and Jon IV, which follows with "What sort of man would proclaim himself a coward?". Littlefinger is not trustworthy, and makes himself seem trustworthy by constantly proclaiming what a snake he is. And Sam has the bravery to admit a hard truth about being a coward, which makes him what?
And the names, the names, the names...they fall like rain in this section, too many to keep track of, and yet so many will go on to find places in the story - Anguy the archer; Marillion; Ser Hosteen Frey; Loras Tyrell; Bronn; Beric Dondarrion; Thoros of Myr...
posted by nubs at 11:27 AM on March 23, 2016
Oh, and - the conversation between Sansa and the Hound. Really great moment as Sansa gets brought into the real world, and a monster of a man reveals something personal. I never liked the show decision to give that moment to Littlefinger.
posted by nubs at 12:05 PM on March 23, 2016
posted by nubs at 12:05 PM on March 23, 2016
Not sure where I am now in relation to these posts - my edition does not number the chapters in the manner you have adopted. Just started the Vale-set Catelyn which opens on the morning of the trial by combat, and it struck me that the trial is intended and depicted as counterpoint to the tournament, something largely lost in the screen adaptation.
posted by mwhybark at 11:41 PM on March 24, 2016
posted by mwhybark at 11:41 PM on March 24, 2016
I think you're a little beyond where this section is at; this one ended with Dany entering Vaes Dothraki, and I think the trial is in Cat VII, which is a few beyond.
I don't think any of the editions number the chapters. It is an convention that readers have adopted, in an attempt to be able to explain where in a book certain events occur, but even then it doesn't work great, because without a description of the events of the chapter, I find the number meaningless. Hence my attempt to provide pithy one sentence summaries with them, but I might be better off just linking to the chapter summaries instead. Or something. I feel like trying to swallow a whole book in one go is too much, but maybe breaking it up like this is too confusing.
posted by nubs at 8:53 AM on March 25, 2016
I don't think any of the editions number the chapters. It is an convention that readers have adopted, in an attempt to be able to explain where in a book certain events occur, but even then it doesn't work great, because without a description of the events of the chapter, I find the number meaningless. Hence my attempt to provide pithy one sentence summaries with them, but I might be better off just linking to the chapter summaries instead. Or something. I feel like trying to swallow a whole book in one go is too much, but maybe breaking it up like this is too confusing.
posted by nubs at 8:53 AM on March 25, 2016
(I have some reading to do! but FWIW, I do find the one-sentence-summaries useful in locating "so which of these identically-titled chapters is this now?"; and I do like that we're breaking the book into more manageable chunks. Maybe it'd help to add a "this post covers events from to " to make the boundaries between posts clearer? Dunno.)
posted by We had a deal, Kyle at 4:33 PM on March 25, 2016 [1 favorite]
posted by We had a deal, Kyle at 4:33 PM on March 25, 2016 [1 favorite]
I'd make the chapter spans even sorter, ~5 per post. 20ish chapters seems a lot for a discussion.
Maybe it'd help to add a "this post covers events from to " to make the boundaries between posts clearer?
Eh, the last chapter summary effectively does that.
posted by ChurchHatesTucker at 4:44 PM on March 26, 2016 [1 favorite]
Maybe it'd help to add a "this post covers events from to " to make the boundaries between posts clearer?
Eh, the last chapter summary effectively does that.
posted by ChurchHatesTucker at 4:44 PM on March 26, 2016 [1 favorite]
enh, I dunno about reducing post count. We just finished s01 rewatch and while my first read lags a bit, it's at most a two-day march. I don't think we'll get to s05 before April 24, nor will I finish the books in 30 days. Reducing post span here would likely reduce my post participation. I think these posts are roughly quartering the books? Seems about right to me.
posted by mwhybark at 10:37 PM on March 26, 2016
posted by mwhybark at 10:37 PM on March 26, 2016
Caught Kira Roessler's "Dialogue and ADR Supervisor" credit on S02e02 just now. Which seems perfect, really.
posted by mwhybark at 12:02 AM on March 27, 2016
posted by mwhybark at 12:02 AM on March 27, 2016
I'll keep dropping stuff in here until the next top-level post shows up.
In the throne room scene following Robert's death, much is made of Ned's bum leg - Littlefinger helps him down steps; he hops and hobbles the length of the throne room.
Whereupon Cersei explicitly instructs him to "bend the knee".
posted by mwhybark at 1:00 PM on March 27, 2016
In the throne room scene following Robert's death, much is made of Ned's bum leg - Littlefinger helps him down steps; he hops and hobbles the length of the throne room.
Whereupon Cersei explicitly instructs him to "bend the knee".
posted by mwhybark at 1:00 PM on March 27, 2016
Lots of different Brandons in the family line, and Nan gets them confused, along with the legends of Bran the Builder and if the same one raised the Wall and Winterfell.
SO MANY BRANDONS; "she had lived so long that all the Brandon Starks had become one person in her head." And it drives home a point that Bran was given an important Stark name, one that sets a certain expectation of living up to.
Nan's story is interrupted, right at "pale white spiders big as hounds", and we don't get to hear the rest of it; GRRM still teasing out fragments of winter lore.
Oh, and - the conversation between Sansa and the Hound. Really great moment as Sansa gets brought into the real world, and a monster of a man reveals something personal. I never liked the show decision to give that moment to Littlefinger.
SO GOOD; and yes, it plays so much better in the book. The show combines Littlefinger's "you have the Tully look" with the telling of the Hound's story, and it diminishes it.
A nice contrast here:Joffrey rejects Sansa's pity, the Hound accepts it: "No, no, little bird, he was no true knight."
I liked also the gradual unfolding of the possible conspiracy around Ser Hugh's death on the field. Sansa saw him only as "some stranger from the Vale of Arryn whose name she had forgotten as soon as she had heard it" that met with an accident in the joust. The Hound knows better: "Gregor's lance goes where Gregor wants it to go." Ned in the following chapter suspects: "slain by a Lannister bannerman before Ned could speak to him; could that be mere happenstance?"
Sansa again is the naive one, who knows the courtly words but isn't aware of courtly intrigue. "Some septa trained you well. [...] A pretty little taking bird, repeating all the pretty little words they taught you to recite."
posted by We had a deal, Kyle at 2:08 PM on March 27, 2016
SO MANY BRANDONS; "she had lived so long that all the Brandon Starks had become one person in her head." And it drives home a point that Bran was given an important Stark name, one that sets a certain expectation of living up to.
Nan's story is interrupted, right at "pale white spiders big as hounds", and we don't get to hear the rest of it; GRRM still teasing out fragments of winter lore.
Oh, and - the conversation between Sansa and the Hound. Really great moment as Sansa gets brought into the real world, and a monster of a man reveals something personal. I never liked the show decision to give that moment to Littlefinger.
SO GOOD; and yes, it plays so much better in the book. The show combines Littlefinger's "you have the Tully look" with the telling of the Hound's story, and it diminishes it.
A nice contrast here:Joffrey rejects Sansa's pity, the Hound accepts it: "No, no, little bird, he was no true knight."
I liked also the gradual unfolding of the possible conspiracy around Ser Hugh's death on the field. Sansa saw him only as "some stranger from the Vale of Arryn whose name she had forgotten as soon as she had heard it" that met with an accident in the joust. The Hound knows better: "Gregor's lance goes where Gregor wants it to go." Ned in the following chapter suspects: "slain by a Lannister bannerman before Ned could speak to him; could that be mere happenstance?"
Sansa again is the naive one, who knows the courtly words but isn't aware of courtly intrigue. "Some septa trained you well. [...] A pretty little taking bird, repeating all the pretty little words they taught you to recite."
posted by We had a deal, Kyle at 2:08 PM on March 27, 2016
I'm only up to Bran IV. But yes, I remembered that we don't really hear much about Old Nan after AGOT. I assume she doesn't survive Ramsay's sack of Winterfell?
posted by numaner at 2:37 PM on March 30, 2016
posted by numaner at 2:37 PM on March 30, 2016
It's unclear what became of her. The actress from the show died, so GRRM may just leave it unanswered.
posted by ChurchHatesTucker at 3:02 PM on March 30, 2016
posted by ChurchHatesTucker at 3:02 PM on March 30, 2016
Yeah, I made a mental note to try to pay attention to Old Nan during the events of ACOK to see if I can figure out what happens to her. I don't recall any specific mention in the book, and in the case of the show, the role just got dropped with the death of the actress.
posted by nubs at 3:16 PM on March 30, 2016
posted by nubs at 3:16 PM on March 30, 2016
Oh I'm sure they wouldn't mind just using a totally different actress and hopes no one notices, like with Daario
posted by numaner at 3:21 PM on March 30, 2016
posted by numaner at 3:21 PM on March 30, 2016
Well, I can never remember what colour Old Nan's beard was anyways.
posted by nubs at 3:30 PM on March 30, 2016 [1 favorite]
posted by nubs at 3:30 PM on March 30, 2016 [1 favorite]
I'm at Catelyn VI. I totally forgot the names of the people in her little merry citizens-arrest band that abducted Tyrion, saved for Bronn, Marillion, and Rodrik, and then I was quickly reminded of why.
Arya's eavesdrop on Varys and Illyrio, on reread, seems soooo much more prophetic. And I remember not recognizing it's Varys my first time through. But the little hints are very telling, like the mention that he seems to glide across the floor when walking.
PS: nubs, you forgot to add "gameofthrones" tag to this post
posted by numaner at 8:17 PM on April 4, 2016
Arya's eavesdrop on Varys and Illyrio, on reread, seems soooo much more prophetic. And I remember not recognizing it's Varys my first time through. But the little hints are very telling, like the mention that he seems to glide across the floor when walking.
PS: nubs, you forgot to add "gameofthrones" tag to this post
posted by numaner at 8:17 PM on April 4, 2016
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Anyways, from the prologue:
All day, Will had felt as though something were watching him, something cold and implacable that loved him not.
From Arya III as she hides among the dragon skulls:
She could feel its empty eyes watching her through the gloom, and there was something in that dim, cavernous room that did not love her.
posted by nubs at 8:51 AM on March 18, 2016 [2 favorites]