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A creative writing professor at a third-tier college in upstate New York is on his way home from a summer fellowship in France, where he’s spent the last three months loafing around Bordeaux, tasting the many varieties of French wine at his disposal, and doing just about anything but actually working on his long overdue novel. A stopover in Brooklyn to see his and his wife’s closest friends—John, a jaded poet-turned-lawyer with a dubious moral compass, and Sophie, a once-promising fiction writer with a complicated past and a mysterious allure—causes further trouble when he and Sophie wind up sleeping together while John is out serenading Brooklyn coeds with poems instead of preparing legal briefs. But instead of succumbing to his failures as a teacher, writer, and husband, an odd freedom begins to bubble up. Could a love affair be the answer he’s been searching for? Could it offer the escape he needs from the department chair, Chet Bland, who’s been breathing down his neck? Relief from the gossip of colleagues and generational tension with students? Respite from embarrassment with his wife, Debra Crawford, and her meteoric rise as a novelist? His escapades might even make the perfect raw material for an absolutely devastating novel, which would earn him tenure, wealth, and celebrity—everything he needs to be set for life. If only he could be the one to write it. A brilliant case of art imitating life, Andrew Ewell’s “sharp, witty” (Richard Russo, author of Straight Man) debut is a poignant tour de force that asks who owns whose story, skewers the fictions created from our lives and others’, and brings a whole new meaning to the phrase “publish or perish.” [Publisher's Blurb]
posted by chavenet on Aug 27, 2024 - 2 comments

In this wryly humorous and innovative look at a marriage gone wrong, Hannah Pittard recalls a decade’s worth of unforgettable conversations, beginning with the one in which she discovers her husband has been having sex with her charismatic best friend, Trish. These time-jumping exchanges are fast-paced, intimate, and often jaw-dropping in their willingness to reveal the vulnerabilities inherent in any friendship or marriage. Blending fact and fiction, sometimes re-creating exchanges with extreme accuracy and sometimes diving headlong into pure speculation, Pittard takes stock not only of her own past and future but also of the larger, more universal experiences they connect with—from the depths of female rage to the heartbreaking ways we inevitably outgrow certain people. Clever and bold and radically honest to an unthinkable degree, We Are Too Many examines the ugly, unfiltered parts of the female experience, as well as the many (happier) possibilities in starting any life over after a major personal catastrophe. [Publisher's blurb]
posted by chavenet on Aug 27, 2024 - 1 comment