How many lives fit in a lifetime? When Hero De Vera arrives in America–haunted by the political upheaval in the Philippines and disowned by her parents–she’s already on her third. Her uncle gives her a fresh start in the Bay Area, and he doesn’t ask about her past. His younger wife knows enough about the might and secrecy of the De Vera family to keep her head down. But their daughter–the first American-born daughter in the family–can’t resist asking Hero about her damaged hands. (Penguin Random House blurb) Elaine Castillo's debut novel, and well-regarded, from Kirkus Reviews to Bustle. [more inside]
High adventure fraught with cliffhanger twists marks this runaway-slave narrative, which leaps, sails, and soars from Caribbean cane fields to the fringes of the frozen Arctic and across a whole ocean. (Opening line from Kirkus Review, one of many publications to list Esi Edugyan's novel among the best fiction of 2018). Booker Prize shortlisted nominee. [more inside]
Winner of the Man Booker Prize “Everything about this novel rings true. . . . Original, funny, disarmingly oblique and unique.”―The Guardian In an unnamed city, middle sister stands out for the wrong reasons. She reads while walking, for one. And she has been taking French night classes downtown. So when a local paramilitary known as the milkman begins pursuing her, she suddenly becomes “interesting,” the last thing she ever wanted to be. Despite middle sister’s attempts to avoid him―and to... [more inside]
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This'll be the third boyfriend Ayoola's dispatched in "self-defense" and the third mess her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede's long been in love with him, and isn't prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other...
Who is Andrea Bern? When her therapist asks the question, Andrea knows the right things to say: she’s a designer, a friend, a daughter, a sister. But it’s what she leaves unsaid—she’s alone, a drinker, a former artist, a shrieker in bed, captain of the sinking ship that is her flesh—that feels the most true. Everyone around her seems to have an entirely different idea of what it means to be an adult. But when Andrea’s niece finally arrives, born with a heartbreaking ailment, the Bern family is forced to reexamine what really matters.
The Tournament of Books is a March-madness style match up of contemporary fiction. The actual competition starts in March, but the longlist is already posted and the shortlist will be announced in January. Would there be interest in a 2019 Tournament of Books book club? [more inside]
Stephen Florida follows a college wrestler in his senior season, when every practice, every match, is a step closer to greatness and a step further from sanity. Profane, manic, and tipping into the uncanny, it's a story of loneliness, obsession, and the drive to leave a mark.
Mel and Sharon are a dynamic duo, the friction of their differences driving them: Sharon, quietly ambitious but self-doubting; Mel, brash and unapologetic, always the life of the party. Now, after a decade of striving, the two are finally celebrating the release of their first full-length feature, which transforms Mel’s difficult childhood into a provocative and visually daring work of art. But with their success come doubt and destruction, cracks in their relationship threatening the delicate balance of their partnership.
Anna Kerrigan, nearly twelve years old, accompanies her father to visit Dexter Styles, a man who, she gleans, is crucial to the survival of her father and her family. She is mesmerized by the sea beyond the house and by some charged mystery between the two men. Years later, her father has disappeared and the country is at war. Anna works at the Brooklyn Naval Yard, where women are allowed to hold jobs that once belonged to men, now soldiers abroad. She becomes the first female diver, the most dangerous and exclusive of occupations, repairing the ships that will help America win the war. One evening at a nightclub, she meets Dexter Styles again, and begins to understand the complexity of her father’s life, the reasons he might have vanished.
The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary. Selin may have barely spoken to Ivan, but with each email they exchange, the act of writing seems to take on new and increasingly mysterious meanings.
Soli, a young undocumented Mexican woman in Berkeley, CA, finds that motherhood offers her an identity in a world where she's otherwise invisible. When she is placed in immigrant detention, her son comes under the care of Kavya, an Indian-American wife overwhelmed by her own impossible desire to have a child. As Soli fights for her son, Kavya builds her love on a fault line, her heart wrapped around someone else's child.
Kevin Pace is a successful painter, working on an enormous secret painting in his barn. There are three strains on his psyche that are affecting his marriage: an incident that occurred in El Salvador in 1979, before he got married; an affair that he had in France in 1999, with a woman much younger than his wife; and his daughter’s choice to confide something personal to him rather than to his wife.
An autobiographical novel about growing up gay in a working-class town in Picardy. “Every morning in the bathroom I would repeat the same phrase to myself over and over again . . . Today I’m really gonna be a tough guy.” Growing up in a poor village in northern France, all Eddy Bellegueule wanted was to be a man in the eyes of his family and neighbors. But from childhood, he was different―“girlish,” intellectually precocious, and attracted to other men.
So the 2017 Tournament of Books has ended and apparently, we all need to go read Fever Dream. We've talked about this on the blue, but maybe we could stand to make this a club? These are great books to read and it's as good a framework as any toward getting a group of people onto the same titles at the same time for discussion. It's kind of late for this year, but consider it a test run for next year. Here's the tag so you can find the ToB books that are on FF so far.
Rosa Ostreech, a pseudonym for the novel’s beautiful but self-conscious narrator, carries around a trilingual edition of Aristotle’s Metaphysics, struggles with her thesis on violence and culture, sleeps with a bourgeois former guerrilla, and pursues her elderly professor with a highly charged blend of eroticism and desperation. Elsewhere on campus, Pabst and Kamtchowsky tour the underground scene of Buenos Aires, dabbling in ketamine, group sex, video games, and hacking. And in Africa in 1917, a Dutch anthropologist named Johan van Vliet begins work on a theory that explains human consciousness and civilization by reference to our early primate ancestors—animals, who, in the process of becoming human, spent thousands of years as prey.
The novel takes place during and after the death of Abraham Lincoln's son William "Willie" Wallace Lincoln and deals with the president's grief at his loss. The bulk of the novel, which takes place over the course of a single evening, is set in the bardo—an intermediate space after death. [more inside]
Pachinko follows one Korean family through the generations, beginning in early 1900s Korea with Sunja, the prized daughter of a poor yet proud family, whose unplanned pregnancy threatens to shame them all. Deserted by her lover, Sunja is saved when a young tubercular minister offers to marry and bring her to Japan. So begins a sweeping saga of an exceptional family in exile from its homeland and caught in the indifferent arc of history. Through desperate struggles and hard-won triumphs, its members are bound together by deep roots as they face enduring questions of faith, family, and identity.
In the near future, world wars have transformed the earth into a battleground. Fleeing the unending violence and the planet’s now-radioactive surface, humans have regrouped to a mysterious platform known as CIEL, hovering over their erstwhile home. The changed world has turned evolution on its head: the surviving humans have become sexless, hairless, pale-white creatures floating in isolation, inscribing stories upon their skin.
Freshly disengaged from her fiancé and feeling that life has not turned out quite the way she planned, thirty-year-old Ruth quits her job, leaves town and arrives at her parents’ home to find that situation more complicated than she'd realized. Her father, a prominent history professor, is losing his memory and is only erratically lucid. Ruth’s mother, meanwhile, is lucidly erratic. But as Ruth's father’s condition intensifies, the comedy in her situation takes hold, gently transforming her all her grief.
A young woman named Amanda lies dying in a rural hospital clinic. A boy named David sits beside her. She’s not his mother. He's not her child. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family.
In her follow-up to Salvage the Bones, Ward returns to the fictional town of Bois Sauvage, Miss., and the stories of ordinary people who would be easy to classify dismissively into categories like “rural poor,” “drug-dependent,” “products of the criminal justice system.” Instead Ward gives us Jojo, a 13-year-old, and a road trip that he and his little sister take with his drug-addicted black mother to pick up their white father from prison. And there is nothing small about their existences. Their story feels mythic, both encompassing the ghosts of the past and touching on all the racial and social dynamics of the South as they course through this one fractured family. Ward’s greatest feat here is achieving a level of empathy that is all too often impossible to muster in real life, but that is genuine and inevitable in the hands of a writer of such lyric imagination. [more inside]
A stunning debut novel about love and forgiveness, about the violence of memory and the equal violence of its loss—from O. Henry Prize–winning author Emily Ruskovich. Ann and Wade have carved out a life for themselves from a rugged landscape in northern Idaho, where they are bound together by more than love. With her husband’s memory fading, Ann attempts to piece together the truth of what happened to Wade’s first wife, Jenny, and to their daughters.
In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through...
Two twenty-something New Yorkers. Seth is awkward and shy. Carter is the glamorous heir to one of America's great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it's a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter's troubled sister Leonie, spiral down into the heart of the nation's darkness, encountering a suppressed history of greed, envy, revenge, and exploitation.
In a small Midwestern town, two Asian American boys bond over their outcast status and a mutual love of comic books. Meanwhile, in an alternative or perhaps future universe, a team of superheroes ponder modern society during their time off. Between black-ops missions and rescuing hostages, they swap stories of artistic malaise and muse on the seemingly inescapable grip of market economics.