Star Trek: The Galileo Seven   Rewatch 
November 8, 2014 7:14 AM - Season 1, Episode 17 - Subscribe

The Galileo, under Spock's command, crash-lands on a hostile planet. As the Enterprise races against time to find the shuttlecraft, Spock's strictly logical leadership clashes with the fear and resentment of his crew.

"The Galileo Seven" is the sixteenth episode of the first season of the original science fiction television series Star Trek, broadcast by NBC on January 5, 1967. It was written by Oliver Crawford, and directed by Robert Gist.

Memory Alpha Link

The episode can be viewed on Netflix, Youtube, and Hulu.
posted by Benway (3 comments total) 1 user marked this as a favorite
I found the 'Star-Wars-rebootified' CGI effects in this episode the most intrusive & annoying thus far of the re-watch. I miss whatever clunky old model effects there were in the original run, they would have fit in better with the practical effects of the giant spear-throwing creatures on the planet. I mean, you can see a little bit of styrofoam rock go flying when the spear hits it, when Spock is carrying away the dead crewman. I wish they'd just been content to do whatever basic, minimal, clean-up that was necessary for blu-ray transfer instead of completely replacing the model shots.
posted by oh yeah! at 9:49 AM on November 8, 2014 [2 favorites]

I love the word "shuttlecraft". Shuttlecraft, shuttlecraft, shuttlecraft!

The TOS Federation shuttlecraft is one of my favorite spacecraft of all time. Here's a fun Galileo 7 infographic, and here are some pictures of the restoration of the Galileo 7 Shuttlecraft from TOS. More on the Galileo 7 restoration.

And remember, according to the rules of "Bar Trek", you take a drink whenever a shuttlecraft is used in an episode.
posted by Rob Rockets at 2:56 PM on November 8, 2014 [2 favorites]

Quick thoughts, as I finally finished this episode off yesterday.

This was enjoyable for the most part, as we had a clash between human emotion and Vulcan logic. Granted, it was also blown almost immediately out of proportion, and it ended with Spock essentially conceding a degree of the logic.

I appreciated that one of the main characters in this episode was black, though, I wondered if it didn't carry an overtone of the "Angry Black Man" with it, given the time period. I loved how Scotty truly was a magician of a problem solver in this episode, rather than simply having to cut through a door or re-start engines. We also had another relatively useless woman yeoman, who seemed present only to look good to the camera and to express concern over one thing or another.

It also was a definite contrast between the old and the new effects.
posted by Atreides at 2:11 PM on November 13, 2014

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