The Night Manager: Episode 1.6
June 3, 2016 2:47 AM - Season 1, Episode 6 - Subscribe

Series finale. Roper and his team return to Cairo for the deal, reuniting Pine with an old enemy. Pine risks it all to put his plan in motion. A discredited Burr makes one last stand.
posted by kanewai (8 comments total) 1 user marked this as a favorite
I was sort of hoping Pine would be in a bit more peril than he wound up in here, but on the whole this was a good ending.

Stuff even blew up, though considering Sarin gas was possibly among that "stuff", part of my brain was wondering why no one was dying or at least coughing.

You also have to sort of wonder how "noted philanthropist billionaire Richard Roper disappeared/was found murdered in Cairo" would play out in the press.

This series has set me against the idea of Hiddleston as the next Bond, unless they're going to change Bond to be more like Pine. Pine's a good man who was pushed to do horrible things to prevent greater evil. Bond's a smarmy womanizer who enjoys everything he does. I think that concept has run its course generally, and Hiddles can do amoral smarm, but Loki in a suit with a vodka martini is not a compelling draw for me either.
posted by middleclasstool at 9:00 AM on June 3, 2016 [2 favorites]

I have mixed feeling about the ending. I appreciated the plot twisty way that Roper gets served justice, but happy endings seem out of character with the realism of a le Carré work. Indeed, in the book he ends up escaping thanks to his CIA & GHCQ connections. This version felt a little bit too Hollywood.
posted by volt4ire at 2:32 PM on June 4, 2016

I agree about the insanely happy ending. It is exceeding rare for le Carré to leave all of the good guys standing, let alone happy, at the end of a story.
posted by ubiquity at 11:18 AM on June 8, 2016

We watched this after watching The Americans finale. The happy ending was kind of a relief. Now, what happened to that $300 million?
posted by Ber at 9:40 PM on June 19, 2016 [1 favorite]

Months late, but we just finished this. I'm a big fan of le carre books, and whilst this was entertaining, we did feel it was mostly mutton dressed up as lamb, relying on on its stylishlishness to give the quite cliched - and at many points nonsensical - plot a veneer of intellectualism.

Laurie was terrific, but neither Hiddlestone, nor the writers did enough with his character. They needed to show more how similar he and Roper really were (ie psychotic, extreme), and how much he coveted Roper's life and found it attractive and wanted to possess/own it (the only rationale for boffing the mistress that would be remotely plausible). The white knight stuff was completely unbelievable.

Le Carre's - let's be honest - slightly funny, if not bewildered attitude towards women came through the lens of mass entertainment with an unmistakable patina of misogyny applied, I thought. The female characters barely existed with the exception of Burr (who was a man in the book), and where they did exist it was purely as a plot device.

The ending was pure Hollywood - completely undermines the thesis of Le Carre's entire oeuvre. Oh it's okay to do the extra-judicial killings and torture when it's bad guys okay? Very James Bond.

For all that, we were entertained, it was well put together, but just a few tweaks here and there and it could have been excellent. They needed to watch The Tailor of Panama, I think, as an example of Le Carre adaptation done right with a similar feel.
posted by smoke at 5:35 AM on July 7, 2016 [1 favorite]

We watched this right on the heels of A Perfect Spy, and it's tantalizing to imagine Laurie and Hiddleston and the production values of TNM transported into the deliberate, slow burn of APS.

This was a slick, well-acted, beautiful mini-series that had plenty of suspense ratcheting up to the last episode and then just kind of left me feeling...Huh? at the end of it.

Comparing it to APS made me feel as if there's an expectation that audiences today just don't care to see truly character-driven productions in this genre. This should have been one, yet we had this weirdly pat ending with all of this shit blowing up, to boot.

I haven't read the novel, so I can't say where the fault lies here, but this feels so out of step with the Le Carre that I was previously familiar with.
posted by MoonOrb at 1:28 PM on November 26, 2016 [1 favorite]

Finally got around to this. Very good, but not excellent. Echoing several other statements here, basically. Casting was a big strength. I just never understood the mistress relationship. If Sophie's death was his big motivation, why would he get involved with Jed? He knows where that leads. Why risk the exact same thing happening again? Sure, her help is vital in getting the evidence that puts Roper away, but he doesn't know he'll need that at the time. Plus he had Corky suspicious from the start.

Entertaining, but problematic.
posted by GhostintheMachine at 7:30 AM on December 12, 2016 [1 favorite]

I like how Youssef and his buddies were able to be involved.

Yes, where *did* the money go? I was thinking to Jed's son, but I'm not sure.

I didn't particularly *like* Pine as a person. I was not cheering him on. I was certainly cheering on Burr as she was phenomenal. I did not realize her character was a man in the books. Interesting! I loved her and Steadman working as a team and Steadman's obvious deep love for her. I would totally watch a buddy spy series with just those two.
posted by jillithd at 12:04 PM on July 20, 2017 [4 favorites]

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